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一甸藝術 / 待分類 / 藝術家不創造物,而是創造神話

   

藝術家不創造物,而是創造神話

2020-08-30  一甸藝術

    Sky Mirror, 2018, stainless steel. Eight Eight, 2004, onyx. Courtesy the artist and Lisson Gallery. ? Anish Kapoor. All rights reserved DACS, 2020 Photo: Pete Huggins

    安尼施·卡普爾的漩渦——你需要知道的一切
    Whirlpool – Everything you need to know

    ▲ 安尼施·卡普爾(Anish Kapoor)紀錄片《下沉》
    安尼施·卡普爾的“下沉”是什么?
    Anish Kapoor的這個裝置作品描繪了水作為一團液體的流動性和運動,以及它下降后進入的空間?!跋鲁痢笔且蛔钊擞∠笊羁痰牡袼?,它描繪了水從直徑8米(26英尺)的漩渦中沖下來時的持續漩渦運動,代表了一種被吸入地球的強大物理形式。當觀眾看到永恒的黑色海水被拉下進入一個未知的內部時,這件藝術作品引起了一種催眠的感覺。

    Anish Kapoor – Descension, 2014, Brooklyn Bridge Park, Pier 1, New York, 2017, photo: James Ewing/Public Art Fund

    藝術作品的不同含義

    下降也會引起一種發自內心的感覺,就像中心是一個無底深淵,它吸收旋轉成漩渦的水,因為它下降到這個深淵。因此,這個裝置根據觀眾自身的體驗傳達了不同的意義和感受。例如,雖然有些人可能認為它是人類存在的短暫性,但對另一些人來說,它看起來像是通往另一個世界的入口,甚至是通往過去或未來的一扇窗戶。

    Anish Kapoor – Descension, 2014, Brooklyn Bridge Park, Pier 1, New York, 2017, photo: James Ewing/Public Art Fund


    漩渦與政治
    根據卡普爾的說法,這個游泳池也代表了他所談論的美國政治的現狀。事實上,這位藝術家已經成立了一個由200多名創意人士組成的聯盟,參與旨在對抗右翼民粹主義的藝術展覽。這個名為“別碰我們的革命”的聯盟將在其展覽中使用當代藝術形式。

    Anish Kapoor – Descension, 2015, Steel, water, motor, 500 x 500 cm, Galleria Continua, San Gimignano, Italy, 2015, photo: Ela Bialkowska



    ANISH KAPOOR AT VERSAILLES
    Every summer the gardens of Versailles are transformed with art installations, and often a bit of controversy. This year six contemporary pieces by English artist Anish Kapoor's changed the landscape. The large scale works which have been up since June will be on display until November 1st.
    I had a chance to visit earlier this fall when my friends Ashley and Cydney were in town. Ironically the threat of rain that day led to dramatic skies, and even more beautiful installations in a magical place.

    Dirty Corner covered in vandalism. The piece was controversial from the beginning as it disrupted the sight line down the gardens. After the graffiti, initially it was a conscious decision not to remove it (although it was condoned), but the controversy was heightening and has been since painted over.

    Dirty Corner covered in vandalism. The piece was controversial from the beginning as it disrupted the sight line down the gardens. After the graffiti, initially it was a conscious decision not to remove it (although it was condoned), but the controversy was heightening and has been since painted over.



    安尼施·卡普爾(Anish Kapoor)

    1954年出生于印度孟買,并于上世紀70年代初搬到倫敦 。卡普爾的創作是形而上學的,超自然層面的探討,涉及物質和非物質,存在和消逝,空間和非空間等玄學問題。印度的哲學和宗教思考、榮格的心理分析理論,以及西方藝術的形式和觀念的表達,等幾方面的合一造就了這位備受矚目的藝術家。


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